Archivi tag: maisema

Kaisa Sirén and the art of making the invisible visible

Kaisa Sirén lives in Rovaniemi, within the Arctic Circle of Finnish Lapland, where she works as a freelance photographer and artist.
She studied photojournalism in Canada but moved back to Finland after her studies.
Her works are widely published in various Finnish magazines and newspapers, and she have had several solo and group exhibitions in Finland, Sweden, Denmark, Scotland, USA and Germany
She is a photographic artist who makes the landscape of her soul visible with Intentional Camera Movement, using the northern landscapes of Finland as a backdrop.
She focuses on themes related to the seasons of Lapland and the sensitivity of nature.
She selects subjects from nature and transforms them into elements that were initially absent, thus visualizing the invisible.
She is the co-founder of the ICM Photo Academy, where she teaches ICM photography courses both in person and online.
Since 2017, she has run an art gallery called Villa Vinkkeli in her hometown.
Then she started to focus fully on ICM photography and making art.
Kaisa realized she was invisible as a child, which led her to feel somewhat of an outsider even as an adult.
ICM offers a way to make invisible feelings and repressed emotions visible.
When taking a photo with ICM, the movement of the camera can create elements that weren’t initially present in the scene and bring hidden things to light.
It retains the same serendipity and element of surprise that have always accompanied her throughout her life.
These are some of the foundations of her art today.
Intentional Camera Movement (ICM) is a playful, expressive approach to photography that invites the photographer to let go of strict representation and start creating images that feel as much as they show.
The technique behind ICM is to use a relatively long shutter speed, something like 0,5 or 1 second to start with, and deliberately move the camera during the exposure.
The results vary depending on the time, the speed and size of the movement and the lens being used as well as many other factors. With time you can learn to control the movements and create intentional results but there is always an element of surprise involved

Read and see more on Kaisa:
www.artistkaisasiren.com
www.icmphotoacademy.com
Instagram page
Facebook page
email contact:  kuva@kaisasiren.fi

Kaisa Sirén e l’arte di rendere visibile l’invisibile

Kaisa Sirén vive a Rovaniemi, nel Circolo Polare Artico della Lapponia finlandese, dove lavora come fotografa e artista freelance.
Ha studiato fotogiornalismo in Canada, ma è tornata in Finlandia dopo gli studi.
Le sue opere sono ampiamente pubblicate su diverse riviste e giornali finlandesi e ha tenuto numerose mostre personali e collettive in Finlandia, Svezia, Danimarca, Scozia, Stati Uniti e Germania.
È un’artista della fotografia che rende visibile il paesaggio della sua anima attraverso un movimento intenzionale della fotocamera, utilizzando come sfondo i paesaggi settentrionali della Finlandia.
Si concentra su temi legati alle stagioni della Lapponia e alla sensibilità della natura.
Sceglie soggetti dalla natura e li trasforma in elementi inizialmente assenti, visualizzando così l’invisibile.
È co-fondatrice dell’ICM Photo Academy, dove insegna corsi di fotografia ICM sia di persona che online.
Dal 2017 gestisce una galleria d’arte chiamata Villa Vinkkeli nella sua città natale.
Successivamente ha iniziato a dedicarsi completamente alla fotografia ICM e alla creazione artistica.
Kaisa si rese conto di essere invisibile fin da bambina, il che la portò a sentirsi in qualche modo un’emarginata anche da adulta.
L’ICM offre un modo per rendere visibili sentimenti invisibili ed emozioni represse.
Quando si scatta una foto con l’ICM, il movimento della fotocamera può creare elementi inizialmente non presenti nella scena e portare alla luce cose nascoste.
Mantiene la stessa serendipità e lo stesso elemento di sorpresa che l’hanno sempre accompagnata nel corso della sua vita.
Questi sono alcuni dei fondamenti della sua arte odierna.
Il movimento intenzionale della fotocamera (ICM) è un approccio ludico ed espressivo alla fotografia che invita il fotografo ad abbandonare la rappresentazione rigida e a iniziare a creare immagini che trasmettano emozioni oltre che immagini.
La tecnica alla base dell’ICM consiste nell’utilizzare un tempo di posa relativamente lungo, ad esempio 0,5 o 1 secondo per iniziare, e muovere deliberatamente la fotocamera durante l’esposizione.
I risultati variano a seconda del tempo, della velocità e dell’ampiezza del movimento, dell’obiettivo utilizzato e di molti altri fattori.
Con il tempo si può imparare a controllare i movimenti e a creare risultati intenzionali, ma l’elemento sorpresa è sempre presente.

Leggi e guarda di più su Kaisa:
www.artistkaisasiren.com
www.icmphotoacademy.com
Instagram page
Facebook page
contatto email :  kuva@kaisasiren.fi

Polar Night

As a December girl polar night is my favourite time of the year. When November falls and the first snow covers the ground I am home! The short days mean that we go directly from sunrise to sunset and have the most stunning colors during those short hours of daylight. It is the time to go out with the camera

The Most Resilient 

I have visited Antarctica three times and it is by far my favourite continent. and the favourite creature is the emperor pengune. They have chosen the most peculiar strategy for survival wintering in those harsh conditions while incubating the egg. They must be the most curious and the most resilient creatures of us all.

Pelican Brief

In January 2026 I travelled to northern Greece, to Lake Kerkini, with a single intention: to photograph Dalmatian pelicans. I had seen images of these immense, almost improbable birds and felt a growing pull to meet them in their winter gathering place. I did not go in search of landscape or light. I went for the birds – and to see what might happen when their movement met my camera moves.

Wood Wide Web

My series Wood Wide Web has been inspired by the book Hidden Life of Trees by Peter Wohlleben, (2016). In the book Wohlleben describes his studies and observations about the life of trees during his long career as a forester. He talks about the ability the trees have, to communicate, form communities, to alarm each other and take care of their offspring and elders. The observations may be difficult to prove scientifically and equally difficult to photograph. In my attempts to make the phenomena visual I use a technique called Intentional Camera Movement (ICM). It is a technique during which the camera is moved during a long exposure. Thanks to ICM the images may have elements, which bring unseen stories or actions visible. It may form layers to the images which make room to the imagination of the viewer.  With this series I want to bring out the importance of trees to us humans as well as that they may be much more complex than we ever have thought. Wise old trees, they need our respect.

Iceberg Graveyard

I have always been drawn to the beauty the Arctic and Antarctic landscapes provide. This body of work illustrates vanishing ice of the polar regions initiated by climate change. The work is a collection of poetic abstractions, depicting the progression of global warming. The polar regions are more rapidly affected than many other areas on the globe. Unfortunately, the vastness of the problem is not yet well comprehended, due to lack of human habitation in those remote areas. These images are impressions of the beauty this world represents and the impending loss we face.

Lost in Venice

In January 2025 I had a chance to participate in a photography workshop in Venice. Before departure I did some homework and set my goals what I want out of the workshop. I learnt about the work of a German painter Wolf Bertram Becker who had been painting Venice buildings in and impressionistic, almost ICM style. This was a great inspiration for me and gave me direct guidelines about what I would be looking for besides the iconic vistas in the city. The next images are of his painting which served as my inspiration.

Dancing My Nature

This has been an exciting project photographing dancers out in the nature during our 7 seasons in Lapland. With these images I want to celebrate the precious nature we have in the North and also bring hope that it will stay for the future generations. I hope that the dances will convey the special light and colours we have in different seasons.

 

Dream

Earlier I slept well and had strong, colourful dreams. A long time ago, I suffered a burnout, lost my dreams and a good sleeping pattern. Now that my life is balanced again the dreams are slowly coming back. In this series I visualise the struggles, but yet how more light, harmony and colour has become more apparent in my life. And this has been achieved thru doing in life what I love.

Indian Flashes

These images are taken during my visit to India in 2018. It was a sudden unexpected journey as my nephew got married and I was invited to the wedding. I decided to not take it as a photography trip but rather just go and explore the colours and the feeling of the New Delhi streets as much as possible. It turned our to be a colour galore and just perfect for ICM. I did not take any traditional images which was also very liberating. I just concentrated on the wonderful colours of the Indian street and enjoyed the transformation I was able to create with ICM.

Rainforest People of Papua

One of my dreams became true in august 2025 as I was able to travel to Papua New Guinea and attend a local cultural festival, Sing-Sing of Mt Hagen. It is a country of more than 1000 tribes and 850 languages. They still lead a very traditional jungle life and collect food from the forests.  The festival was a mixture of chaos, screaming, dancing, marching, singing and a kaleidoscope of colours. For three days I was able to observe, participate and answer to the countless smiles.

Mari Blomroos-Heininen represents and interprets the essence of Nordic nature with her works around the world

Today I have the pleasure of introducing you to the Finnish artist Mari Blomroos-Heininen, who was born in Uusikaupunki on the west coast of Finland.
Her family’s history is in the archipelago, from where Mari also builds her worldview and relationship with nature and art.
The Nordic world is made of all-revealing light, the intense colors of nature, but also of heavy darkness and misty environments, where quiet, nuanced shadows live in soft, muted tones.
According to Mari, she has a mind that undulates with the movements of the wind and the sea, so the heart and soul of seagrass.
Living as “seagrass” also gives her the opportunity to interpret realities through different variations.
Mari says about her :  “In my mind, being stuck in time culminates in the eternal sea and the rocks, where my life is anchored. They have been there since the beginning of time before us and will remain behind us. The sea and the rocks are always there, wherever I go in the world, I am “at home” and in interaction with the basic elements of nature. My art tells of the relationship to my background, nature and its different dimensions in the ambivalence of truth and fiction.”
Mari says also that her background in art has been shaped since childhood by the power struggle between theater and visual arts.
Her studies ultimately turned in favor of visual arts, but music, writing, and other areas of performing arts always run side by side as part of life and also in making art.
Mari has a diverse educational background, in fact from Rauma, she moved to Helsinki to study art at the Ateneum evening school.
She continued in a world filled with fine arts and student theatre until, after her matriculation examination, she continued her studies, first with basic education studies, then with basic and subject studies in Art History at the Open University of Helsinki.
Education to prepare for the profession of a visual artist and studies in classical painting techniques at the Alfa Art School in Helsinki confirmed her direction, and life continued, in addition to making art, with continuous studies and residency work, both in Finland and abroad.
Mari has also worked as a curator and exhibition coordinator since 2009, which she has also supplemented with studies at the University of the Arts Helsinki’s open campus in Helsinki.
She is a member of several art associations and organizations, and there is no doubt that she is an influential figure in the Finnish art world.
As an artist, Mari paints in various techniques, makes graphic art, ceramics, and also object assemblages and installations.She loves the world of installations and the opportunities to build new connections.
Object assemblages are exciting and enjoyable experiences for her, where she manages to create a new dramaturgy by separating objects and things from their previous realities and connections.
Past and lived experience, present and future, everything possible meet and greet each other.
In the encounter of surprising elements, new connections are created without concrete limitations.
In Wonderland, everything is possible.
These objects, which Mari encounters everywhere, from the Paris flea market to the depths of the forest, wait to continue their lives in new connections and dialogues.
This Finnish artist is characterized by a dynamic and constantly evolving creative process, a sign of the times we live in.
Mari sees art as an opportunity to see the world and life differently, to highlight and discover things that would otherwise go unnoticed and that can be brought to light through art.
She also sees art as having other functions, such as participating in a conversation.
Art also has the potential to comfort, soothe and create harmony. Her manifesto is that art can also be beautiful.
Mari’s art depicts her personal journey as a human being. Through her works, she often depicts phenomena of life and humanity.
The subjects of her paintings are often metaphors for general  phenomena of human life.
She believes that art should be free, and not defined and valued by hierarchies or authorities.
From an exhibition perspective, Mari is a true world traveler of art, who has participated in exhibitions all over the world year after year and has been awarded internationally on several occasions.
Her work has also been documented in numerous art books.
Mari Blomroos-Heininen’s personal exhibition activities include a large number of solo, group and individual exhibitions in Finland, widely in Europe, Asia and also in North and South America and North Africa.
You can find more information at
www.mariblomroosheininen.com

Mari Blomroos-Heininen rappresenta e interpreta l’essenza della natura nordica con le sue opere in tutto il mondo

Oggi ho il piacere di presentarvi l’artista finlandese Mari Blomroos-Heininen, nata a Uusikaupunki, sulla costa occidentale della Finlandia.
La storia della sua famiglia è nell’arcipelago, da dove Mari costruisce anche la sua visione del mondo e il suo rapporto con la natura e l’arte.
Il mondo nordico è fatto di luce onnipresente, dei colori intensi della natura, ma anche di oscurità profonda e di ambienti nebbiosi, dove ombre silenziose e sfumate vivono in toni morbidi e tenui.
Secondo Mari, la sua mente ondeggia con i movimenti del vento e del mare, quindi il cuore e l’anima delle praterie marine.
Vivere come “praterie marine” le offre anche l’opportunità di interpretare la realtà attraverso diverse varianti.
Mari di lei dice :  “Nella mia mente, essere bloccata nel tempo culmina nel mare eterno e nelle rocce, dove la mia vita è ancorata. Sono lì dall’inizio dei tempi, prima di noi e rimarranno dietro di noi. Il mare e le rocce sono sempre lì, ovunque io vada nel mondo, mi sento “a casa” e in interazione con gli elementi fondamentali della natura. La mia arte racconta il rapporto con il mio background, la natura e le sue diverse dimensioni nell’ambivalenza tra verità e finzione.”
Mari racconta che il suo background artistico è stato plasmato fin dall’infanzia dalla lotta di potere tra teatro e arti visive.
I suoi studi alla fine si sono orientati verso le arti visive, ma musica, scrittura e altri ambiti delle arti performative sono sempre andati di pari passo, come parte della vita e anche della creazione artistica.
Mari ha un background formativo diversificato, infatti da Rauma, si è trasferita a Helsinki per studiare arte alla scuola serale Ateneum.
Ha continuato a immergersi in un mondo ricco di belle arti e teatro studentesco fino a quando, dopo l’esame di maturità, ha proseguito gli studi, prima con studi di base, poi con studi di base e specialistici in Storia dell’Arte presso l’Università Aperta di Helsinki.
La formazione per prepararsi alla professione di artista visiva e gli studi sulle tecniche pittoriche classiche presso l’Alfa Art School di Helsinki hanno confermato la sua direzione, e la vita è continuata, oltre a dedicarsi all’arte, con studi continui e residenze artistiche, sia in Finlandia che all’estero.
Dal 2009, Mari lavora anche come curatrice e coordinatrice di mostre, attività che ha integrato con gli studi presso l’Open Campus dell’Università delle Arti di Helsinki.
È membro di diverse associazioni e organizzazioni artistiche e non  c’è dubbio che sia una figura influente nel mondo dell’arte finlandese.
Come artista, Mari dipinge con diverse tecniche, realizza opere grafiche, ceramiche e anche assemblaggi di oggetti e installazioni.
Ama il mondo delle installazioni e le opportunità di creare nuove connessioni e gli assemblaggi di oggetti sono per lei esperienze emozionanti e piacevoli, in cui riesce a creare una nuova drammaturgia separando oggetti e cose dalle loro realtà e connessioni precedenti.
Passato ed esperienza vissuta, presente e futuro, tutto il possibile si incontra e si saluta e nell’incontro di elementi sorprendenti, si creano nuove connessioni senza limiti concreti.
Nel Paese delle Meraviglie, tutto è possibile.
Questi oggetti, che Mari incontra ovunque, dal mercato delle pulci di Parigi alle profondità della foresta, attendono di continuare la loro vita in nuove connessioni e dialoghi.
Questa artista finlandese è caratterizzata da un processo creativo dinamico e in continua evoluzione, segno dei tempi in cui viviamo.
Mari  interpreta  l’arte come un’opportunità per vedere il mondo e la vita in modo diverso, per evidenziare e scoprire cose che altrimenti passerebbero inosservate e che possono essere portate alla luce attraverso l’arte.
Considera l’arte anche come un mezzo per svolgere altre funzioni, come la partecipazione a una conversazione.
L’arte ha anche il potenziale di confortare, lenire e creare armonia.
Il suo manifesto è che l’arte può anche essere bella.
L’arte di Mari raffigura il suo percorso personale come essere umano e attraverso le sue opere, spesso raffigura fenomeni della vita e dell’umanità.
I ​​soggetti dei suoi dipinti sono spesso metafore di fenomeni generali della vita umana. Crede che l’arte debba essere libera, non definita e valutata da gerarchie o autorità.
Dal punto di vista espositivo, Mari è una vera viaggiatrice dell’arte, che ha partecipato a mostre in tutto il mondo anno dopo anno e ha ricevuto premi internazionali in diverse occasioni.
Il suo lavoro è stato anche documentato in numerosi libri d’arte.
L’attività espositiva personale di Mari Blomroos-Heininen include numerose mostre personali, collettive e individuali in Finlandia, in Europa, in Asia, in Nord e Sud America e in Nord Africa.
Per maggiori informazioni, visitate il sito
www.mariblomroosheininen.com

 

Riemun manifesti – The manifesto of Joy by Mari Blomroos-Heininen
Togheter Forever by Mari Blomroos-Heininen
Life is the wild Trip by Mari Blomroos-Heininen

Mari’s solo exhibitions include private, group, and collective shows in Finland and abroad.

The most interesting events, among others, In residence an solo-exhibition South China Art Museum and International Academic Art Exhibition in Malaysia.

Selected exhibitions during
2024-25
Eva Interntional Gallery of Finland, Helsinki; Design Festa Gallery, Tokyo; Cabelfactory, Helsinki; Atelier 3, Cairo; Gallery D’Arte Cordoba, Argentina; Scuola san Teodore of San Marco, Venice; Castle of Bratislava,Bratislava; Town hall and theatre, Montecosaro Art and Culturweek; House of Patron, Stockfors, Finland; Galerie Pasaje 685, Buenos Aires, Argentina; Konstrundan 2024, Select Finlands artists Open Workstudios of Svenska Kulturfondet; Eva International Art Gallery, Hki-Tokyo-Helsinki; Opening exhibition, New Culturhouse of Heinävesi, Finland; 5th.Bienal of Barcelona at MEAM- Museum, Barcelona, Spain; Cabelfactory in Helsinki, Finland; Bienal ofCreativity, Serrana, Italy; La Universidad de La Aires, Buenos Aires, Argentina.

2025

Eva international Art Gallery Heinävesi, Finland; Gallery Koo, Helsinki, Finland; Cultural Hypogeum LegaNavale Italiana, Matera; Arte Barcelona, Port Gallery, Barcelona, Spain; MUSA International, St, Art Gallery,London, England; HIAA of Finland, ChurchI of Lauttasaari, Helsinki, Finland; Pasaje Gallery, Buenos Aires,Argentina; Contemporary Art Museum, Invierno Bizarro / Paleta Sonora/ Festival Fusión de Culturas 2025,Lima, Peru; Konstrundan 2025, Artist of Finland, Helsinki, Finland; Arte Venice, Scuola san Teodore of SanMarco, Venice, Italy; ART-Quake – 15 International Group Exhibition, Cappadocia, Turkey; Contemporary Art Museum exhibition, Insa Art Center, Seoul, South Korea; Arte Budapest, Galleria SORS Budapest, Hungary; Internacional de Arte Universidad Nacional de La Matanza, Argentina Nigde Art Gallery; Exhibition International de Arte, Resort Mina Clavero, Cordoba, Argentina; ART-Quake – 16 International Group Exhibition 2025; International Nigde Gallery in Cappadocia, Turkey; Art Fair Paris 2025, Gallery 24, Paris, France; Museum Leonardo Vinci, Milan, Italy.

Latest Artbooks
Protagonists of contemporary Artist 2025; Dreams of Art, Germany; Jubilee of Hope, Italy

Prizes 2024-25
International Arte Premio Città’ di Montecosaro,13 ed.; 6. International Prize of Leonardo da Vinci, Milan; International Prize of Phoenix, Venice; International Prize Velazquez&Goya, Barcelona 2025; International Prize WAA of Musa, London; 7. International Prize of Leonardo da Vinci, Milan; International Prize of Protagonist, Nizza 2025; International Prize of French Riviera 2025

Artworks in collections of Museums, publics, and privates collection in many countries.