Archivi tag: Intentional Camera Movement

Kaisa Sirén and the art of making the invisible visible

Kaisa Sirén lives in Rovaniemi, within the Arctic Circle of Finnish Lapland, where she works as a freelance photographer and artist.
She studied photojournalism in Canada but moved back to Finland after her studies.
Her works are widely published in various Finnish magazines and newspapers, and she have had several solo and group exhibitions in Finland, Sweden, Denmark, Scotland, USA and Germany
She is a photographic artist who makes the landscape of her soul visible with Intentional Camera Movement, using the northern landscapes of Finland as a backdrop.
She focuses on themes related to the seasons of Lapland and the sensitivity of nature.
She selects subjects from nature and transforms them into elements that were initially absent, thus visualizing the invisible.
She is the co-founder of the ICM Photo Academy, where she teaches ICM photography courses both in person and online.
Since 2017, she has run an art gallery called Villa Vinkkeli in her hometown.
Then she started to focus fully on ICM photography and making art.
Kaisa realized she was invisible as a child, which led her to feel somewhat of an outsider even as an adult.
ICM offers a way to make invisible feelings and repressed emotions visible.
When taking a photo with ICM, the movement of the camera can create elements that weren’t initially present in the scene and bring hidden things to light.
It retains the same serendipity and element of surprise that have always accompanied her throughout her life.
These are some of the foundations of her art today.
Intentional Camera Movement (ICM) is a playful, expressive approach to photography that invites the photographer to let go of strict representation and start creating images that feel as much as they show.
The technique behind ICM is to use a relatively long shutter speed, something like 0,5 or 1 second to start with, and deliberately move the camera during the exposure.
The results vary depending on the time, the speed and size of the movement and the lens being used as well as many other factors. With time you can learn to control the movements and create intentional results but there is always an element of surprise involved

Read and see more on Kaisa:
www.artistkaisasiren.com
www.icmphotoacademy.com
Instagram page
Facebook page
email contact:  kuva@kaisasiren.fi

Kaisa Sirén e l’arte di rendere visibile l’invisibile

Kaisa Sirén vive a Rovaniemi, nel Circolo Polare Artico della Lapponia finlandese, dove lavora come fotografa e artista freelance.
Ha studiato fotogiornalismo in Canada, ma è tornata in Finlandia dopo gli studi.
Le sue opere sono ampiamente pubblicate su diverse riviste e giornali finlandesi e ha tenuto numerose mostre personali e collettive in Finlandia, Svezia, Danimarca, Scozia, Stati Uniti e Germania.
È un’artista della fotografia che rende visibile il paesaggio della sua anima attraverso un movimento intenzionale della fotocamera, utilizzando come sfondo i paesaggi settentrionali della Finlandia.
Si concentra su temi legati alle stagioni della Lapponia e alla sensibilità della natura.
Sceglie soggetti dalla natura e li trasforma in elementi inizialmente assenti, visualizzando così l’invisibile.
È co-fondatrice dell’ICM Photo Academy, dove insegna corsi di fotografia ICM sia di persona che online.
Dal 2017 gestisce una galleria d’arte chiamata Villa Vinkkeli nella sua città natale.
Successivamente ha iniziato a dedicarsi completamente alla fotografia ICM e alla creazione artistica.
Kaisa si rese conto di essere invisibile fin da bambina, il che la portò a sentirsi in qualche modo un’emarginata anche da adulta.
L’ICM offre un modo per rendere visibili sentimenti invisibili ed emozioni represse.
Quando si scatta una foto con l’ICM, il movimento della fotocamera può creare elementi inizialmente non presenti nella scena e portare alla luce cose nascoste.
Mantiene la stessa serendipità e lo stesso elemento di sorpresa che l’hanno sempre accompagnata nel corso della sua vita.
Questi sono alcuni dei fondamenti della sua arte odierna.
Il movimento intenzionale della fotocamera (ICM) è un approccio ludico ed espressivo alla fotografia che invita il fotografo ad abbandonare la rappresentazione rigida e a iniziare a creare immagini che trasmettano emozioni oltre che immagini.
La tecnica alla base dell’ICM consiste nell’utilizzare un tempo di posa relativamente lungo, ad esempio 0,5 o 1 secondo per iniziare, e muovere deliberatamente la fotocamera durante l’esposizione.
I risultati variano a seconda del tempo, della velocità e dell’ampiezza del movimento, dell’obiettivo utilizzato e di molti altri fattori.
Con il tempo si può imparare a controllare i movimenti e a creare risultati intenzionali, ma l’elemento sorpresa è sempre presente.

Leggi e guarda di più su Kaisa:
www.artistkaisasiren.com
www.icmphotoacademy.com
Instagram page
Facebook page
contatto email :  kuva@kaisasiren.fi

Polar Night

As a December girl polar night is my favourite time of the year. When November falls and the first snow covers the ground I am home! The short days mean that we go directly from sunrise to sunset and have the most stunning colors during those short hours of daylight. It is the time to go out with the camera

The Most Resilient 

I have visited Antarctica three times and it is by far my favourite continent. and the favourite creature is the emperor pengune. They have chosen the most peculiar strategy for survival wintering in those harsh conditions while incubating the egg. They must be the most curious and the most resilient creatures of us all.

Pelican Brief

In January 2026 I travelled to northern Greece, to Lake Kerkini, with a single intention: to photograph Dalmatian pelicans. I had seen images of these immense, almost improbable birds and felt a growing pull to meet them in their winter gathering place. I did not go in search of landscape or light. I went for the birds – and to see what might happen when their movement met my camera moves.

Wood Wide Web

My series Wood Wide Web has been inspired by the book Hidden Life of Trees by Peter Wohlleben, (2016). In the book Wohlleben describes his studies and observations about the life of trees during his long career as a forester. He talks about the ability the trees have, to communicate, form communities, to alarm each other and take care of their offspring and elders. The observations may be difficult to prove scientifically and equally difficult to photograph. In my attempts to make the phenomena visual I use a technique called Intentional Camera Movement (ICM). It is a technique during which the camera is moved during a long exposure. Thanks to ICM the images may have elements, which bring unseen stories or actions visible. It may form layers to the images which make room to the imagination of the viewer.  With this series I want to bring out the importance of trees to us humans as well as that they may be much more complex than we ever have thought. Wise old trees, they need our respect.

Iceberg Graveyard

I have always been drawn to the beauty the Arctic and Antarctic landscapes provide. This body of work illustrates vanishing ice of the polar regions initiated by climate change. The work is a collection of poetic abstractions, depicting the progression of global warming. The polar regions are more rapidly affected than many other areas on the globe. Unfortunately, the vastness of the problem is not yet well comprehended, due to lack of human habitation in those remote areas. These images are impressions of the beauty this world represents and the impending loss we face.

Lost in Venice

In January 2025 I had a chance to participate in a photography workshop in Venice. Before departure I did some homework and set my goals what I want out of the workshop. I learnt about the work of a German painter Wolf Bertram Becker who had been painting Venice buildings in and impressionistic, almost ICM style. This was a great inspiration for me and gave me direct guidelines about what I would be looking for besides the iconic vistas in the city. The next images are of his painting which served as my inspiration.

Dancing My Nature

This has been an exciting project photographing dancers out in the nature during our 7 seasons in Lapland. With these images I want to celebrate the precious nature we have in the North and also bring hope that it will stay for the future generations. I hope that the dances will convey the special light and colours we have in different seasons.

 

Dream

Earlier I slept well and had strong, colourful dreams. A long time ago, I suffered a burnout, lost my dreams and a good sleeping pattern. Now that my life is balanced again the dreams are slowly coming back. In this series I visualise the struggles, but yet how more light, harmony and colour has become more apparent in my life. And this has been achieved thru doing in life what I love.

Indian Flashes

These images are taken during my visit to India in 2018. It was a sudden unexpected journey as my nephew got married and I was invited to the wedding. I decided to not take it as a photography trip but rather just go and explore the colours and the feeling of the New Delhi streets as much as possible. It turned our to be a colour galore and just perfect for ICM. I did not take any traditional images which was also very liberating. I just concentrated on the wonderful colours of the Indian street and enjoyed the transformation I was able to create with ICM.

Rainforest People of Papua

One of my dreams became true in august 2025 as I was able to travel to Papua New Guinea and attend a local cultural festival, Sing-Sing of Mt Hagen. It is a country of more than 1000 tribes and 850 languages. They still lead a very traditional jungle life and collect food from the forests.  The festival was a mixture of chaos, screaming, dancing, marching, singing and a kaleidoscope of colours. For three days I was able to observe, participate and answer to the countless smiles.

From Finland, the visual emotions captured by Minna Scheinin’s lens

Today I have the pleasure of introducing Finnish artist Minna Scheinin. She was born in Turku, a beautiful city on the west coast of Finland, where she lived for a long time before moving to Kaarina, where she currently lives.
Minna often visits Italy, where she has a home on Lake Iseo, and she says this Italian experience has greatly influenced her artistic development.
She worked for many years as a foreign language teacher ( Swedish and English ) and was responsible for pedagogical development  and online teaching at her University of applied sciences.
She became interested in photography at an early age, thanks to her mother’s passion for photography; Mom took a lot of photographs and in doing so she passed on the same passion to her.
Her career and the growth of her family left little room for creativity and art, although the camera has always been a faithful friend to Minna.
The turning point came in the 2000s when she was able to take a gap year from school to devote herself to studying photography.
In 2011, she successfully completed a professional photography course at the New York Institute of Photography ( online ) and in 2013, she earned a degree in editorial graphics. Since then, her photographic work has transformed into an artistic journey where her creativity has finally found a way to express itself through her art.
Minna expresses her art through photography, which plays a primary role, but also through painting and mosaics.
She came to painting thanks to the evolution of her artistic mindset, which also led her to try her hand at painting after long thinking she couldn’t draw. From what can be seen in her works, abstract painting is for her a moment of experimentation in which to study contrasts and chromatic values, as well as shapes and compositions.
In photography, she began studying the ICM ( Intentional Camera Movement ) technique, which began a journey that led her to essentially paint with the camera, intentionally moving it during the exposure.
While photojournalism requires an authentic and therefore sharp image, in the ICM technique, blurring is the element that allows the viewers  to distance themselves from the real subject, leaving room for their own reflection and, consequently, a personal interpretation of the work they are observing.
Minna considers herself not only an omnivorous but, above all, passionate experimenter, and in her works she loves to create unique atmospheres, often very tranquil and permeated by a persistent and reflective atmosphere where colors, light, shadows, and contrasts play a primary role.
Nature is her greatest source of inspiration, and the deepest essence of her images is the beauty that surrounds us and often goes unnoticed. However, she also embraces urban environments, where, with the ICM, she manages to capture moments and moods that allow the viewers  to form their own personal interpretation.
For Minna, the starting point of her photographic art is to create an understanding of the simplicity and complexity of life.
On this fascinating topic, Minna sought inspiration in Voltaire’s Philosophical Dictionary, which revealed that many of life’s great questions have remained the same and unchanged for centuries: what are equality, vanity, morality?
Minna then wondered if photography could be used to obtain answers to these questions, demonstrating that happiness does not come from matter, but from a good life, where things are in balance, both for better and for worse.
But a good life doesn’t mean an easy or always happy life. All life also includes pain, worry, anxiety, sadness, anger, disappointment, and despair. They are the opposite of positive things, whose value is difficult to see or understand without this framework.
With her current photographic project created using ICM technology, Minna is trying to interpret all emotions from one extreme to the other, when the different extremes find a balance in everyday life, or not.
Minna has held a number of private and group exhibitions, mainly in the Turku region, but also in Rovaniemi.
You can find more information about Minna’s artistic work on her Instagram page   and  these are her email addresses : scheinin.minna@gmail.com minna@scheinin.fi

Dalla Finlandia le emozioni visive dell’obiettivo di Minna Scheinin

Oggi ho il piacere di presentarvi l’artista finlandese Minna Scheinin che è nata a Turku una splendida città sulla costa occidentale della Finlandia, qui ha vissuto a lungo prima di trasferirsi a Kaarina dove attualmente vive.
Minna viene spesso in Italia dove ha casa sul lago d’Iseo e questa sua frequentazione italiana a suo dire ha molto influenzato il suo percorso artistico.
Ha lavorato per molti anni come insegnante di lingue straniere ( svedese e inglese ), ed è stata responsabile dello sviluppo pedagogico nella sua  Università di scienze applicate.
Ha  iniziato ad interessarsi alla fotografia molto presto, grazie alla passione per la macchina fotografica della mamma che scattava molte fotografie e  le ha fatto da apripista in quella che nel tempo diventerà una vera e propria attività artistica.
La sua carriera lavorativa e la crescita della sua famiglia non hanno lasciato molto spazio alla creatività e all’arte anche se la macchina fotografica per Minna è sempre stata un’amica fedele.
La svolta è avvenuta negli anni 2000 quando ha avuto la possibilità di prendersi un anno sabbatico dalla scuola per dedicarsi allo studio della fotografia.
Nel 2011 ha completato con successo un corso di  fotografia professionale al New York Institute of Photography (online) e nel 2013 ha conseguito una laurea in grafica editoriale  e da allora il suo lavoro fotografico si è trasformato  in un percorso artistico dove la sua creatività ha finalmente trovato il modo di esprimersi attraverso la sua arte.
Minna esprime la sua arte attraverso la fotografia che ha un ruolo primario ma anche con la pittura e i mosaici.
Alla pittura è arrivata grazie all’evoluzione della sua mentalità artistica che l’ha portata anche a cimentarsi con la pittura dopo aver pensato per lungo tempo di non saper disegnare e da quello che si può vedere attraverso le sue opere la pittura astratta è per lei un momento di sperimentazione in cui studiare i contrasti ed i valori cromatici così come per le forme e le composizioni.
Nella fotografia ha iniziato a studiare la tecnica ICM  (Intentional Camera Movement) con la quale ha iniziato un percorso che l’ha portata in pratica a dipingere con la macchina fotografica muovendo intenzionalmente la fotocamera durante l’esposizione.
Se nel fotogiornalismo c’è la necessità di avere un’immagine autentica e quindi nitida nella tecnica ICM la sfocatura è l’elemento che consente al pubblico di allontanarsi dal soggetto reale per lasciare spazio alla propria riflessione e di conseguenza ad una interpretazione personale dell’opera che si sta osservando.
Minna si considera una sperimentatrice non solo onnivora ma soprattutto appassionata e nelle sue opere ama provare a creare atmosfere particolari, spesso molto tranquille e permeate da un’atmosfera persistente e riflessiva dove colori,luci,ombre e contrasti giocano un ruolo primario
La natura è la sua più grande fonte di ispirazione e l’essenza più profonda delle sue immagini è quella bellezza che ci circonda e che spesso passa inosservata, ma non disdegna però anche gli ambienti urbani dove con l’ICM riesce a rubare con il suo obiettivo momenti e stati d’animo in cui l’osservatore può arrivare ad una sua interpretazione personale.
Per Minna il punto di partenza della sua arte fotografica è creare una comprensione della semplicità e della complessità della vita.
Su questo tema appassionante Minna ha cercato la fonte nel Dizionario Filosofico di Voltaire, dal quale traspare che molti dei grandi interrogativi della vita sono rimasti gli stessi e immutati per secoli: cosa sono l’uguaglianza, la vanità, la moralità?
Minna si è quindi chiesta se la fotografia possa essere usata per ottenere risposte a queste domande, mostrando che la felicità non deriva dalla materia, ma da una buona vita, dove le cose sono in equilibrio, sia nel bene che nel male?
Ma una buona vita non significa una vita facile o sempre felice. Tutta la vita include anche dolori, preoccupazioni, ansia, tristezza, rabbia, delusioni, disperazione. Sono l’opposto delle cose positive, il cui valore è difficile da vedere o comprendere senza questa cornice.
Con il suo attuale progetto fotografico realizzato con la tecnica ICM,  Minna sta provando a interpretare tutte le emozioni da un estremo all’altro, quando i diversi estremi trovano un equilibrio nella vita di tutti i giorni, oppure no.
Minna ha realizzato un buon numero di mostre tra private e collettive, principalmente nella regione di Turku, ma anche a Rovaniemi.
Potete trovare maggiori informazioni sull’attività artistica di Minna sulla sua pagina Instagram   e questi sono i suoi indirizzi email: scheinin.minna@gmail.comminna@scheinin.fi

Photographs taken using ICM technique

Asunheinikossa – Minna Scheinin
Blue Venice – Minna Scheinin
Butterflies – Minna Scheinin

Watercolors

Hauskuutus – Minna Scheinin

Mosaics

Geisha_suojaruukku – Minna Scheinin
Mosaic Mural – Minna Scheinin

Minna and the ice

Minna Scheinin at work 2025

SOLO EXHIBITIONS
2024 Colours Matter – Colours Matter, Brinkhall Manor, Turku
2023 With Glass and Lenses, Waudevilla, Parainen
2018 Nature Pictures, Joutsen Medical Clinic, Loimaa
2017 Unreachable Stories – Encounters in Ecuador, Café Art, Turku
2012 Natura II: Galapagos – Fearless Islands, Pulssi  Window Gallery, Humalistonkatu 9-11, Turku
2011 Natura I: Poetic Images of Nature, Turku University of Applied Sciences ICT Building

 ENVIRONMENTAL ART
2025 Happiness, mosaic mural, 9m x 1.5m, Kaarina

GROUP EXHIBITIONS
2026 Imaginary Worlds, Mökkigalleria, Kaarina
2021 A House Full of Artists. In conjunction with the Konstrunda and Rovaniemi Week events. Rovaniemi
2017 Time – Nature as a mirror of time, Kuusisto Art Manor, Kaarina
2012 Periscope, Workshop series and exhibition organized in connection with the 20th anniversary of Turku photography education, Photo Centre Peri, Turku
2011 2000 & 11 self-portraits, Turku Capital of Culture project, Finnish Museum of Photography, Helsinki
2011 2000 & 11 self-portraits, Turku Capital of Culture project, Turku Art Academy Cable Car Gallery
2011 2000 & 11 self-portraits, Turku Capital of Culture project, Turku University of Applied Sciences language teachers’ self-portrait exhibition, Turku University of Applied Sciences ICT building premises